Last week I paid a repeat visit to The Shed, a restaurant by The Gladwin Brothers. My first visit was great and you can read about that meal and the background to The Shed here. I also visited The Rabbit recently, the sister restaurant of The Shed and loved that experience too. Sadly this second visit to The Shed was somewhat underwhelming. There were a couple of poorly executed elements in the food. The service was slow as well. Clearly there are some consistency issues at The Shed.

We’ll start with the service which was disorganised. We ordered some wine which failed to arrive as and when it should have. We had to repeat our order three times before the wines finally showed up which meant we had to wait, wait, wait. The restaurant was busy, but not so busy that this couldn’t have been avoided.

The concept of the menu at The Shed continues to centre around a variety of different sharing plates that the restaurant refers to as fast cooking and slow cooking. There are also mouthfuls, the idea of which centres around canapé sized morsels of food which are ideal for getting a mouthful of something tasty.

From the fast cooking section, we tried the pan-fried goat’s cheese (£6.30) with a drizzling of honey and a touch of thyme which tasted warm and good. To round off the dish was a topping of hazelnuts. The idea of the nuts worked with the cheese, but disappointingly, they did not taste as fresh as they should have.

The Shed – Goat’s cheese

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Brothers Oliver and Richard Gladwin have lovingly created The Shed Restaurant in Notting Hill, taking over from where the Ark Italian Restaurant once stood on Palace Garden Terrace. Paying homage to their lifestyle in rural Sussex, the ingredients are sourced from their youngest farmer brother in Nutbourne and other local suppliers in Sussex. Otherwise it is foraged for, and the British menu is ever changing depending on what is available. It is classified according to ’mouthfuls’, ‘fast cooking’ and ‘slow cooking’, etc, and designed for sharing with smallish-sized plates.

As it is a ‘shed’ with a back garden/farm yard feel to it, the restaurant is charmingly decked out with wooden benches, countrified tables, and colourful barrels. It’s a carefully designed hodge-podge furniture collection with a playful feel to it. But the problem is that The Shed is pretty cramped making it a little uncomfortable. And being so small with lots of people being squeezed into it and no floor padding made for some pretty noisy acoustics too.

From the mouthfuls (small bites) section, quail’s eggs with celery salt (£1.50) would have worked better if they were slightly runnier. The celery salt was very good and worked a treat with the eggs. There was a good balance between the salt and the celery flavour. Pork crackling (£1.50) with apple sauce was tasty.

Quail’s eggs with celery salt and pork crackling

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There are some pretty exciting Australian chefs on the London scene right now, eg, Shane Osborn (Pied a Terre), David Thompson (Nahm), Skye Gyngell (Petersham Nurseries). Another is Brett Graham, who after opening The Ledbury at the age of 26, became the youngest Australian to ever win a Michelin star. This January saw Brett earn his second star, an achievement further capped when his sideline venture, The Harwood Arms, also won its first star. But then, Brett has always been on a steady climb. After arriving in London in 2000, he became a winner of the Young Chef of the Year award just two years later. Before The Ledbury, his time in London was spent working his way up to senior sous chef at The Square under Philip Howard.

For a two star restaurant, The Ledbury has one of the best value Sunday lunch menus around. Three courses from the a la carte menu costs only £40, with a similar menu in the evening being priced at £65. However, the only drawback of dining on Sundays (and Saturdays) is that Brett typically doesn’t cook during the weekends. Although, not having the head chef in action should, in principle, not make a difference.

Amuse bouche was a pomegranate macaroon with foie gras parfait and ginger crumbs. The parfait was creamy with the richness of the foie gras, and it married beautifully with the lightness of the macaroon. The touch of ginger added a nice zing to the combination.

Pomegranate macaroon with foie gras

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